にこにこかざん

darksilenceinsuburbia:

Seung-Hwan Oh

Impermanence

The visual result of the symbiosis between film matter and organic matter is the conceptual origin of this body of work.

The process involves the cultivation of emulsion consuming microbes on a visual environment created through portraits and a physical environment composed of developed film immersed in water. As the microbes consume light-sensitive chemical over the course of months or years, the silver halides destabilize, obfuscating the legibility of foreground, background, and scale. This creates an aesthetic of entangled creation and destruction that inevitably is ephemeral, and results in complete disintegration of the film so that it can only be delicately digitized before it is consumed. (artist statement)

Website

artchipel:

Pejac (Spain) - Miniature Silhouettes and Optical Illusions

Spanish artist Pejac creates on his window miniature silhouettes in cut paper or acrylic paint. The window is then captured on camera, showing the riskiness and fragility of the art of tightrope. Over the past couple of years, Pejac has been getting recognition for his simple, clever public art and gallery work. Using brushes, pencils, acrylic paint and sand paper, he creates works that blend into their surroundings using existing elements and textures. Often socially and politically engaged, his works vary from small interventions to large mural-like pieces. (src. Hi-Fructose Magazine)

© All images courtesy of the artist

[more Pejac]

nevver:

Drinking is bad, feelings are worse.

blowmydandelion:

i laughed for 10 minutes

(出典: iraffiruse)

blastedheath:

Adam Lee Miller, The Beginning & The End (In Progress) with Safety Steps & Brick Foundation, 2014. Pencil and gouache on watercolor paper, 18 x 24 in.

darksilenceinsuburbia:

Su Xiaobai

1. Glacial Lake

2. Moonlight Halo

3. Tolerance 2

Oil, lacquer, linen and wood

2013

theories-of:

Simon Dybbroe Møller Diamond Mouth and the Stuff of the Other Side 2013 Renault dealership logo, t-shirts, motor oil, red wine, sweat, cigarette ashes, 110 x 130 x 25 cm

theories-of:

Lisa Wicka. Construct IX, 2013; charcoal, encaustic wax, Prismacolor, tape, acrylic, ink, and collaged paper on laser-cut panel; 20 x 28 in

More Information